HistoryofScience.com Blog

Friday, June 4, 2010

Probably the First Fully Visually Satisfying Interactive eBook

For some time I have been wondering when ebooks would begin to look as good as finely designed and printed books, and when they would also incorporate interactive features impossible in static printed books. This finally happened in April 2010 when Theodore Gray, co-founder of Wolfram Research, makers of Mathematica, as well as a Popular Science columnist (Gray Matter), and element collector, issued the ebook version of his 2009 printed book, The Elements: A Visual Exploration of Every Known Atom in the Universe, for the Apple iPad.

Gray's ebook may be the first interactive book to take full advantage of the features of the iPad, including splendid high resolution color graphics, the ability to rotate objects, the ability to visualize objects in 3-dimensions using inexpensive 3-D glasses, and full connectivity to the Wolfram Alpha computational knowledge engine for additional data.

Gray discusses the features, design, and production of the ebook, The Elements: A Visual Exploration, in a video you can view at this link:

posted by Jeremy Norman @ 11:59 AM   0 Comments

Sunday, May 23, 2010

Napoleon's Penis, and Other Napoleon Memorabilia

Recently I acquired a copy of what is undoubtedly the most unusual catalogue issued by the most famous American antiquarian bookseller, Dr. A.S.W. Rosenbach: Description of the Vignali Collection of the Relics of Napoleon Brought from Saint-Helena by Napoleon's Chaplain Abbe Ange Paul Vignali (1924). You can download a color scan of this small catalogue from the Traditions section of our website at the link provided.

My interest in Napoleon had been revived by watching several excellent films on his life and times. These include Monsieur N (2002), Waterloo (1970), and Napoleon (2003). There are so many ways to approach the nearly incredible life and achievements of Napoleon. As much as I am interested in his military achievements I am interested his political reforms, his sponsorship of science and culture, as well aspects of his personal life and his medical problems. Each of these films provide different insights. Monsieur N concerns Napoleon's final imprisonment on the remote South Atlantic island of St. Helena, and the question of whether or not Napoleon was poisoned by arsenic, perhaps by the orders of the British island administrator who wanted to eliminate the risk, insignificant as it was, of Napoleon escaping from the island, or just to eliminate the costs of maintaining the private prison at Longwood.

Ever since Napoleon's death mystery has surrounded the cause of his demise. Most recently evidence has been presented to confirm that Napoleon died from stomach cancer just as his surgeon, Francesco Antommarchi wrote in the official autospy report. It has also been learned that Napoleon's father died of the same causes:

"Napoleon's physician, Francesco Antommarchi, led the autopsy which found the cause of death to be stomach cancer, though he did not sign the official report, stating, "What had I to do with... English reports?" Napoleon's father had died of stomach cancer though this was seemingly unknown at the time of the autopsy. Antommarchi found evidence of a stomach ulcer and it was the most convenient explanation for the British who wanted to avoid criticism over their care of the Emperor.

"In 1955, the diaries of Napoleon's valet, Louis Marchand, appeared in print. His description of Napoleon in the months before his death led Sten Forshufvud to put forward other causes for his death, including deliberate arsenic poisoning, in a 1961 paper in Nature. Arsenic was used as a poison during the era because it was undetectable when administered over a long period. Forshufvud, in a 1978 book with Ben Weider, noted the emperor's body was found to be remarkably well-preserved when moved in 1840. Arsenic is a strong preservative and therefore this supported the poisoning hypothesis. Forshufvud and Weider observed that Napoleon had attempted to quench abnormal thirst by drinking high levels of orgeat syrup that contained cyanide compounds in the almonds used for flavouring. They maintained that the potassium tartrate used in his treatment prevented his stomach from expellation of these compounds and that the thirst was a symptom of poisoning. Their hypothesis was that the calomel given to Napoleon became an overdose, which killed him and left behind extensive tissue damage. A 2007 article stated that the type of arsenic found in Napoleon's hair shafts was mineral type, the most toxic, and according to toxicologist Dr Patrick Kintz, this supported the conclusion that his death was murder.

"The wallpaper used in Longwood contained a high level of arsenic compound used for colouring by British manufacturers. The adhesive, which in the cooler British environment was innocuous, may have grown mold in the more humid climate and emitted the poisonous gas arsine. This theory has been ruled out as it does not explain the arsenic absorption patterns found in other analyses. A 2004 group of researchers claimed treatments imposed on the emperor accidentally caused death by Torsades de pointes—a condition in which the heart ceases to function properly.

"There have been modern studies which have supported the original autopsy finding.
Researchers, in a 2008 study, analysed samples of Napoleon's hair from throughout his life, and from his family and other contemporaries. All samples had high levels of arsenic, approximately 100 times higher than the current average. According to these researchers, Napoleon's body was already heavily contaminated with arsenic as a boy, and the high arsenic concentration in his hair was not due to intentional poisoning; people were constantly exposed to arsenic from glues and dyes, throughout their lives. A 2007 study found no evidence of arsenic poisoning in the relevant organs and stated that stomach cancer was the cause of death"
(Wikipedia article on Napoleon, Cause of Death http://en.wikipedia.org/wiki/Napoleon_I_of_France#Exile_on_Saint_Helena, accessed 05-23-2010).

Witnesses to Napoleon's death and autopsy collected various memorabilia which gradually found its way into the antiquarian booktrade. Here is what I wrote about this strange story for From Cave Paintings to the Internet:

In 1916 the distinguished London antiquarian booksellers Maggs Bros bought the penis of Napoleon Bonaparte from the descendants of Abbé Ange Paul Vignali, who had given the last rites to Napoleon on St. Helena. Vignali brought the penis along with a collection of more conventional mementos of Napoleon to Corsica, and died in a vendetta in 1828. He passed on the mementos to his sister, who at her death passed them on to her son, Charles-Marie Gianettini, who decided to sell the collection when he reached the age of 96. After holding the Vignali collection of Napoleon memorabilia for eight years, Maggs sold it to the legendary American antiquarian bookseller Dr. A.S.W Rosenbach for £400 (then $2000) in 1924.

Though the authenticity of the other Napoleon memorabilia in the Vignali collection was never in doubt, authenticity of the penis, which resembled something "like a maltreated strip of buckskin shoe-lace or shriveled eel," "rested mainly on a memoir by the valet, Ali (Saint-Denis), published in 1852 in the celebrated Revue des [Deux] Mondes. Ali claimed that he and Vignali had removed certain unnamed portions of Napoleon's corpse during the autopsy" (Charles Hamilton, Auction Madness [1980] 54-55).

With his characteristic flair Dr. Rosenbach received considerable publicity for this purchase. According to the May 12, 1924 issue of Time Magazine:

"The collection numbers about 40 pieces, half of which consist of documents. The most interesting are: death mask from the matrix moulded by Dr. Antomarchi, Napoleon's doctor; a letter from Antomarchi to Vignali; the last cup ever used by the ex-French Emperor, a silver goblet inscribed with the Imperial arms; a silver knife, fork and spoon also engraved with the Imperial arms; a shirt, handkerchiefs, pair of white breeches, white pique waistcoats; Church vestments from the Longwood Chapel, some marked with the Imperial cypher; last, the most gruesome relic, a mummified tendon taken from the ex-Emperor's body during the postmortem"
(http://www.time.com/time/magazine/article/0,9171,718332,00.html, accessed 08-02-2009).

Dr. Rosenbach had the penis "enshrined" in an elaborate blue morocco and velvet box. In 1927 he exhibited it, along with the other Vignali relics, in the Museum of French Art in New York.

Though I had heard of this most unusual purchase in Dr. Rosenbach's career I was not aware that The Rosenbach Company had issued a catalogue describing the collection until a copy of Description of the Vignali Collection of the Relics of Napoleon (1924) was offered early in 2010.

In that catalogue the description of item number 9 reads as follows:

"A mummifled tendon taken from Napoleon's body during the post mortem. (The authenticity of this remarkable relic has lately [in 1852!] been confirmed by the publication in the Revue des Deux Mondes of a posthumous memoir by St. Denis, in which he expressly states that he and Vignali took away small pieces of Napoleon's corpse during the autopsy.)"

As historic as the Vignali collection was, it was not readily salable. According to the standard biography, Rosenbach by Edwin Wolf II and John F. Fleming (1960), a work which was inspirational in my early career, the Vignali collection remained in the inventory of The Rosenbach Company for 23 years until it was finally purchased by collector Donald Hyde in 1947.

But wait, the story continues:

According to Charles Hamilton, when Donald Hyde died in 1966 his widow, Mary, also a serious collector, turned the Vignali collection over to Dr. Rosenbach's successor, John Fleming. Fleming in turn sold it to dealer Bruce Gimelson for $35,000. Finding the collection difficult to resell, as had Maggs and Rosenbach, Gimelson consigned it to Christie's in London for sale en bloc at a reserve price equal to his cost, but with no success. When the collection failed to sell London tabloids ran the naughty headline, "Not Tonight, Josephine!"

Eight years later Gimelson consigned the collection in Paris at Drouot Rive Gauche. This time the collection was dispersed, and the penis was purchased by John K. Lattimer, professor emeritus and former chairman of urology at the Columbia University College of Physicians and Surgeons, for the equivalent of $3000. The object fit in well with other historical objects in Lattimer's collection:

"Dr. John Lattimer possessed Abraham Lincoln's bloodstained collar and a treasure trove of items from his own idiosyncratic relationships to some of the most important historical events of the 20th century. He was an attending urologist to Nazi prisoners at the Nuremberg trials and had acquired Herman Goering's suicide vial. He worked on the autopsy of John F. Kennedy and possessed upholstery from the president's limousine in Dallas" ("The Twisted Story of Napoleon's Privates" http://www.npr.org/templates/story/story.php?storyId=92126411, accessed 05-23-2010).








posted by Jeremy Norman @ 12:28 PM   0 Comments

Friday, April 2, 2010

Rare Book Librarianship Meets Internet Porn

Tired of bookish tedium? How about some bookish porn? On March 31 the bookish subscribers to the Ex-Libris newsgroup sponsored by the Rare Book and Manuscript section of the Association of College Research Libraries were treated to the following spam:

"[Apologies for cross-posting]

"Dear members of ExLibris-L,

"It is my pleasure to introduce to you a new website dedicated to the role of books, libraries and reading in contemporary erotica:

"http://bibliosexuality.org

" With over 50 galleries currently available, and with ongoing additions planned, bibliosexuality.org aims to become the leading resource in its field, providing a comprehensive directory of book-related erotica from the present age.

" Free subscriptions to the site are available through RSS (

"http://go.bibliosexuality.org/rss) or email ( http://go.bibliosexuality.org/email).

"You can also choose to follow us on Twitter (

"http://go.bibliosexuality.org/twitter) or Tumblr ( http://go.bibliosexuality.org/tumblr).

" For any comments or suggestions, please feel free to get in touch with us by email.

"Kind regards,

" Rob Handsome (Editor)

"p.s. Members of the list will understand that due to the nature of the subject matter the website inevitably contains some nudity.

"Rob Handsome

"mail@bibliosexuality.org

posted by Jeremy Norman @ 1:33 PM   0 Comments

Sunday, March 21, 2010

Finally a Satisfactory Index of My Database and Our Website

Since 2005 when I began writing the timeline that evolved into From Cave Paintings to the Internet, it has been my dream to find a way to index the database and our website comprehensively. Thanks to Jessica Gore, the designer of the database and my entire website, we finally have a satisfactory and complete up-to-date index of the database (currently 2852 pages) and our overall website (just under 6000 pages).

What Jessica installed and customized is a Picosearch Premium search engine from picosearch.com. Check it out! The database is now sufficiently large, and the index so thorough, that you may find yourself refining your search in order to get the specific information you are looking for. In any case, if the information is in the database, I am finally confident that our search engine will find it for you.

posted by Jeremy Norman @ 4:42 PM   0 Comments

The Thematic Outline View of My Database

With 2852 entries as of this writing, From Cave Paintings to the Internet would probably equate to around a 1500 page book, though I think it is much more useful than any printed book could be. Some of its 84 themes consist of over 300 annotated entries, which might be a bit much to run through unless you have plenty of time and serious interest.

To make it easier to get a quick overview of all the themes we developed the Thematic Outline View --a brief chronological outline of all the entries. You can run your eyes over that view, and if you want to read more it is just a matter of clicking on the hyperlink to see the full database entry.

posted by Jeremy Norman @ 4:28 PM   0 Comments

Saturday, October 24, 2009

Our Book Descriptions Are Easiest to Read in Our Online Bookshop and on ILAB.org

Recently I have been taking the time to review the electronic text of thousands of our descriptions, to make small corrections and improvements. These include entering the HTML codes for formatting paragraphs, and occasionally also for bold and italic. The HTML formatting codes break up our sometimes long and often necessarily technical descriptions into logical increments, hopefully making them much easier to read.

Our online bookshop is programmed to reflect the HTML coding. So is the ILAB. org site, where our books are also displayed. Unfortunately AbeBooks.com and ABAA.org do not yet display the HTML so our descriptions are run together in long, difficult to read blocks.

If you find our books on the ABAA.org site you can easily click through to view the same item, probably more easily because of the formatting, in our online bookshop. You can also easily search our stock using the search tools available in our online bookstore.

Happy hunting!

posted by Jeremy Norman @ 7:42 AM   0 Comments

Thursday, May 21, 2009

We Installed a More Powerful Search Engine on the Database

As From Cave Paintings to the Internet has grown, I have noticed that the original keyword search left out critical information. In an effort to improve search results today Jessica Gore installed a new Google Custom Search engine on the database.

From now on you should receive more complete results when you search on keyword or phrase in the search box in the upper right corner of all the database screens, and you will not be hassled by those often-inappropriate ads. They are gone!

posted by Jeremy Norman @ 10:35 PM   0 Comments

Saturday, May 16, 2009

The Earliest Examples of Figurative Art


Those of you who check out the From Cave Paintings to the Internet Database that I am building as a hobby know that my interest in the history of information includes prehistory and the history of art. In my forthcoming book on the Discovery of the Stone Age one of the topics covered is the history of the discovery of prehistoric art. Thus the recent discoveries by Nicholas Conard and his team caught my attention. Here is an entry from the database (circa 38,000-33,000 BCE):

"Despite well over 100 years of research and debate, the origins of art remain contentious. In recent years, abstract depictions have been documented at southern African sites dating to approx 75 kyr [75,000 years] before present (bp) and the earliest figurative art, which is often seen as an important proxy for advanced symbolic communication, has been documented in Europe as dating to between 30 and 40 kyr [30-40,000 years before present]. Here I report the discovery of a female mammoth-ivory figurine in the basal Aurignacian deposit at Hohle Fels Cave in the Swabian Jura of southwestern Germany during excavations in 2008. This figurine was produced at least 35,000 calendar years ago, making it one of the oldest known examples of figurative art. This discovery predates the well-known Venuses from the Gravettian culture by at least 5,000 years and radically changes our views of the context and meaning of the earliest Palaeolithic art" (Nicholas J. Conard, "A female figurine from the basal Aurignacian of Hohle Fels Cave in southwestern Germany," Nature, 459, 248-252 (14 May 2009) | doi:10.1038/nature07995).

You can watch a Nature video presentation on this discovery by American archaeologist Nicholas Conard from the department of Early Prehistory and Quaternary Ecology, University of Tübingen, at: http://www.nature.com/nature/videoarchive/prehistoricpinup/, (accessed 05-14-2009.)

The small figurine has been called The Venus of Schelklingen (Venus of Hohle Fels). was found near Schelklingen, Germany. Belonging to the early Aurignacian, at the very beginning of the Upper Paleolithic and the earliest presence of Homo sapiens (Cro-Magnon) in Europe, "the discovery of the Venus of Schelklingen pushes back the date of the oldest prehistoric sculpture, and the oldest known figurative art altogether, by several millennia, establishing that works of art were being produced throughout the Aurignacian.

"The figurine was discovered in September 2008 in a cave called Hohle Fels (Swabian German for "hollow rock") near Schelklingen, some 15 kilometres (9 mi) west of Ulm, Baden-Württemberg, Germany, by a team from the University of Tübingen led by Prof. Nicholas Conard, who reported their find in Nature.

"The figurine, made of a mammoth tusk, is a representation of the female body, putting emphasis on the vulva and the breasts, and is consequently assumed to be an amulet related to fertility. In place of the head, the figurine has a perforation so that it could be worn as a pendant. Archaeologist John J. Shea suggests it would have taken "tens if not hundreds of hours" to carve. The figurine was found in the cave hall, about 20 metres (66 ft) from the entrance, and about 3 metres (10 ft) below the current ground level. It was broken into fragments, of which six have been recovered, with the left arm and shoulder still missing" (Wikipedia article on Venus of Schelklingen, accessed 05-14-2009).

• In 2003 Nicholas Conard reported the discovery of a carved waterbird looking something like a diving cormorant, and a carved horse head from the same Hohle Fels cave. These are thought to date from 31,000 to 28,000 BCE:

N.J. Conard, "Palaeolithic ivory sculptures from southwestern Germany and the origins of figurative art," Nature 426 (2003) 830–832.

posted by Jeremy Norman @ 8:14 AM   0 Comments

Thursday, April 23, 2009

Catalogue 37: Works By and About Harvey Cushing, Plus a Rare Johns Hopkins Photograph Album Featuring Images of Osler, Halsted & Cushing



We are pleased to announce the publication of our Catalogue 37: WORKS BY & ABOUT HARVEY CUSHING With a Rare Johns Hopkins Hospital Photograph Album from the Turn of the 20th Century, Featuring Photographs of Osler, Halsted & Cushing. The catalogue contains a remarkable collection of presentation copies and signed copies of works by Harvey Cushing, as well as letters, photographs, and drawings.

posted by Jeremy Norman @ 2:14 PM   0 Comments

Monday, April 20, 2009

Medieval Bible a Possible Inspiration for Picasso's Guernica


The Visigothic-Mozarabic Bible of St. Isidore, also known as the Biblia de León was completed in the Monastery of Valeránica, Spain on June 19, 960 by Iberian Christians who lived under Moorish Muslim rule in Al-Andalus, the portions of the Iberian Peninsula governed by Muslims at various times in the period between 711 and 1492. It is considered the best-documented Mozarabic bible as it includes the names and portraits of its scribe, Sancho, and its miniaturist, Florencio. The codex contains all the books of the Old and New Testaments, as well as prologues, biblical commentaries and other texts, written in lowercase visigothic-mozarabic lettering with initial capital letters in the interlaced Saxon style and decorated with biblical scenes and roundels. Annotated in both Arabic and Latin, it is preserved in the Cathedral of León.

Florencio's miniature paintings in this work "offered new departures in pictorial art, blending elements originating in Saxon, Visigothic, and Islamic art with new features from Carolingian sources"(http://www.omifacsimiles.com/brochures/bib_leon.html)

On April 20, 2009 the following notice appeared in Artdaily.org:

"Several experts from the world of art have stated that there is an extraordinary likeness between the figures that appear in the Guernica painted by the artist and those in a Mozarabic Bible from the 10th Century, which is housed in the Cathedral in Leon, to the point where it has been discarded that it was fruit of a coincidence. This Bible was exhibited in Barcelona in 1929 and in Paris in 1937, a time when the Cubist genius could have discovered the expressionist drawings that appear in the medieval text, according to the head of the Cathedral of Leon Museum, Máximo Gómez Rascón.

"Several experts consulted by news agency EFE arrived at the same conclusion and base it on the relative aspects of the double view, in front and to the side, of the figures in the painting, as well as in the horse and the bull.

"In this way, the director of the museum, has explained that the similarities are seen especially in the bull, which in the Bible symbolizes Saint Luke and which is “almost exactly” as the one that Picasso painted on Guernica.

"The similarity also manifests itself in the horse’s head that appears in the painting and, to a lesser extent, in the faces of the persons, as well as some of the profiles that also allude to the ones appearing in the bible.

"It has been pointed out that in the bible there is also a lion, with its tongue out, whose face and expression are very similar to the horse that appears in Guernica, or to the one that has a type of knife coming out of its mouth.

"The head of the museum has discarded the idea that the similarities are fruit of a coincidence and is convinced that Picasso “without a doubt” had seen this bible, which was created by Deacon John in 920 [sic] and written in parchment with Visigothic letters.

"Even though that during those times codices were illustrated with those kinds of symbols, Gómez Rascón has emphasized the singularity with the one in Leon, one of the most important from that era.

"Painter Benito Escarpizo, former professor from the School of Applied Arts in Leon, is completely convinced: 'If the similarities are enormous in the painting, they are even greater in the sketches' " (http://www.artdaily.org/index.asp?int_sec=2&int_new=30316).

posted by Jeremy Norman @ 8:42 AM   0 Comments


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